"You Can See Everything" is about the furthest thing from a "pure" documentary you’ve ever seen. That’s part of its appeal — it’s a one-a-kind reality-TV-as-hangout-movie psychodrama circus. Yet it’s been made with a spirit of genuine inquiry, driven by Fielder’s acidly quizzical temperament (as an onscreen interviewer, he’s got the most drop-dead deadpan since Steven Wright), and it gets its hooks in you.
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‘You Can See Everything’ Review: Nathan Fielder’s Documentary About Elizabeth Holmes is a Shameless, Fascinating, Reality-TV-Eats-Its-Tale Look at Entitled Duplicity
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